victor

Blood Money (1974) aka "The Stranger and the Gunfighter" aka "El kárate, el Colt y el impostor" (original title): Comedy, Western, Free Western Flick starring LEE VAN CLEEF, Full Length Feature Film in English, HD, Cowboy Spaghetti Western, Full Movie.

Blood Money (1974)
Country: Spain, Italy, Hong Kong, USA
Age Restriction: 18
Runtime: 1h 35min
Genre: Western, Comedy
Director: Antonio Margheriti
Writers: Miguel de Echarri, Barth Jules Sussman
Stars: Lee Van Cleef, Lieh Lo, Patty Shepard
Director: Antonio Margheriti (as Anthony M. Dawson)
Writers: Barth Jules Sussman, Miguel de Echarri (only credited in Spanish version)
Stars: Lee Van Cleef, Lieh Lo, Patty Shepard

A martial artist joins a hard-hitting gunfighter in the search for treasure while bandits step into their way.

During a hold-up in the Wild West, Dakota kills a rich old Chinese man, Wang. Later, he is captured, sentenced, and is about to be hanged - but he never profited from Wang's death- only finding the photographs of his four widows and a fortune cookie. Meanwhile, Lo comes to America in search of his uncle's fortune after his family is held hostage. He frees Dakota from the Hangman, since he's the only one who can help find Wang's fortune. Now, the difficult part will really start... the Treasure hunt. First they need to locate the four clues, a tattoo on each of Wang's widow's butts, then uncover the fortune while being hunted by a religious fanatic/ ex-confederate soldier who is on to their game.

AKA:
Romania Bani însângeraţi
Denmark Borte med westen
France (video title) Dakota
Belgium (Flemish title) De colt, de harde en de karate
Argentina Dinero sangriento
Mexico (alternative title) El karateca y el pistolero
Denmark (alternative title) Guld under baelestedet
Austria In meiner Wut wieg' ich vier Zentner
Soviet Union (Russian title) (transliterated ISO-LATIN-1 title) Krovnyye den'gi
Poland Krwawe pieniądze
West Germany Kung Fu im wilden Westen
Brazil (reissue title) Kung Fu na Trilha do Dinheiro Sangrento
Belgium (French title) La brute, le colt et le karaté
France La brute, le colt et le karaté
France (video title) Le prix du sang
China (Mandarin title) (transliterated ISO-LATIN-1 title) Long hu zou tian ya
Hong Kong (Mandarin title) Long hu zou tian ya
Italy Là dove non batte il sole
Spain (working title) Moneda sangrienta
Brazil (TV title) O Dragão Chinês e o Pistoleiro
Greece (video title) O xenos kai o oploforos
Portugal Onde o Sol Nunca Brilha
Denmark (alternative title) Revolver-manden og den fremmende
Finland (video title) Revolverimies ja muukalainen
Sweden Revolvermannen och främlingen
Norway (video title) Revolvermannen og den fremmede
Canada (English title) (alternative title) The Stranger and the Gunfighter

Reviews:

The king of the spaghetti westerns that isn’t Clint Eastwood teams up with the king of kung fu movies that isn’t Bruce Lee. Sure, that sounds like a diss but I am a pretty big fan of Lee Van Cleef and Lo Lieh. Both men owned the 1970s in their own way, so seeing them come together is pretty interesting. Sadly though, their talents and their team-up were wasted in this picture, which just doesn’t live up to whatever hype my mind might have had in the ’70s when this actually went down. The film’s premise is pretty interesting though. Ho Chiang (Lo Lieh) journeys to America from China in search of his uncle’s fortune. He discovers that his uncle is dead and the only man that knows where his body is, is the one accused of murdering him, an Old West gunslinger named Dakota (Lee Van Cleef). Once the uncle’s body is found, the pair find clues that point to the fortune. This then becomes a real spaghetti western treasure hunting movie with kung fu flair. The reluctant pair must track down the uncle’s mistresses, each of whom have a section of the treasure map tattooed on their bums. Ultimately, the two men become friends and kick a lot of as*s. The problem with the movie is that the execution is poor and really kind of lazy. Van Cleef and Lieh are both solid but the script just isn’t there and everything is fairly pedestrian. This is a film that is an example of wasted potential. But then again, a studio specializing in spaghetti westerns didn’t have much experience creating kung fu pictures just as Shaw Brothers, even with their input on kung fu filmmaking, didn’t know how to make westerns. And really, I’m not sure how much input Shaw Brothers actually had, it seems pretty minuscule.

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